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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, one half of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a classic of synth-pop.

He subsequently formed the pioneering techno group The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I ended up injure myself significantly," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about multiple ribs and broke my arm."

Following catching a lung infection and developing blood poisoning, he was put in an induced coma and stayed in the hospital for seven months.

However, he had been in "high spirits emotionally" over the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and very pleased with the latest project that we literally completed only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense part of my life and for the songs you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is different from joining a group, the bond is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Born into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, together with his sibling Susan, who was also adopted.

He met Almond at an art college in 1977, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly recorded an EP.

Creative Collaboration

The pair were an unusual pairing: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a unique musical alchemy.

Ball had cultivated a interest with synthesizers after watching Kraftwerk appear on a television science show a popular series, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of 1981, shifting 21 million units worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to paved the way for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were developing new material right up until Ball's death

Professional Journey

Success had its benefits. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Sudden riches allowed we could afford newfound drugs to alleviate the boredom" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they managed to produce a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

Following a further break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they stayed active, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's upcoming release as a tribute to the NYC nightlife they frequented while making their first two albums.

He noted that his period in medical care had shaped the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"In parallel, it's about the times we got up to in the 80s."

The final mixes were finished only days before Ball died. It is due for launch in the spring of 2026.

The writer

Stacy Stuart

A seasoned political analyst with over a decade of experience in UK policy research and international relations.

Point Public UK

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